comics

Printmaking tonight…

A few weeks back I finished up a series of linocut pieces for the classic EC Comics three horror host, The Old Witch, The Vault Keeper, and The Crypt Keeper. Tonight, I prepare to hand pull some prints.

The original art graced the covers of many of the EC horror comics, mainly Vault of Horror, Tales from the Crypt, and the Haunt of Fear. Jacks Davis was the original artist, and I based my #linocuts off of his work. I love the Graham Ingels art that came alter, but The Jack Davis work had a simplicity ot it that appeals to me.

The first one I did was The Old Witch…

The Old Witch

Kinda tough, the color adds a lot in the original, but I was able to transfer it and got close to the original look.

The next one was The Vault Keeper…

The Vault Keeper

This one I was not as happy with, I shaved off a spot on the chin I did not need to, and they eyes are suspect. I need to do a repair on the chin and we will see how this one comes out.

The last one was The Crypt Keeper…

Crypt Keeper

This one I am extremely happy with! My transfer came out great, my hand did not start cramping up, and it was very representative of the original.

The point is that I am about to sit down and do some really-real prints of these tonight. The image area is 7×5 and will be printed on 8×10 paper 100lbs printmaking paper.

I’ll let you know how it turns out.

Stacy

REVIEW: DEATHSTROKE Vol. 1 – Gods of War

TITLE: 9781401254711_p0_v2_s260x420                Deathstroke Vol. 1: Gods of Wars

WRITTEN BY:    Tony S. Daniel

COVERS BY:      Tony S. Daniel, Sandu Florea,

PENCILS BY:      Tony S. Daniel

INKS BY:             Sandu Florea

PUBLISHER:       DC Comics

OFFICIAL BLURB taken form the DC Comics website…

In these tales from issues #1-6 of the hot new series, Slade Wilson’s entire life is turned upside down after he learns that his involvement in a top-secret mission was wiped from his memory. Now, a new, mysterious enemy known as Odysseus has targeted Deathstroke and everyone involved in the decade-old mission. But Slade’s journey into his past takes an unexpected turn, leading him to Gotham City – and into conflict with both Batman and Harley Quinn!

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Deathstroke.

In the worlds of DC Comics, he is the most dangerous mercenary to ever  raise a hand in violence. He has been a henchman, an instigator, a mastermind, and a pawn. He has been a foil to everyone from the Teen Titans to Batman to Green Arrow. He is the man, and few in the DCU have ever matched him in ability, until now.

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Deathstroke Vol. 1: Gods of Wars, sends a rejuvenated Slade Wilson up against a threat that is more dangerous than any weapon, his family. Collecting the first six issues of the latest series to bear his name, we start out seeing a veteran Deathstroke preparing for his latest mission; minimum people, no electronic exposure. The mission takes Deathstroke to Russia where he cuts a bloody swath across the land of the Iron Curtain, only to find that he has been set up by one of the few people he thought was on his side. Glorious two-page spread battles ensue, only to find him laid low just when he can afford it the least.  After he awakens, he finds himself in a completely new situation with no money, limited abilities, and no friends. Even his own body betrays him as he attempts to find out who is responsible for the new paradigm he finds himself trapped in.

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Writer Tony S. Daniels (SUPERMAN/WONDER WOMAN, BATMAN) is the architect of this globe-spanning adventure which takes Deathstroke from the dirty streets of Moscow, to the mean streets of Gotham City. Along the way he uncovers a new backstory for the man known as Slade, one filled with family betrayal and more. Appearances from everyone from Batman to Lady Shiva to Harley Quinn add to the story as it builds toward an explosive conclusion which sets up Deathstroke in his new surroundings.

This is part of the issue which some readers may have with Deathstroke Vol. 1: Gods of Wars; the new surroundings. The story is good, solid, and entertaining, but there is a major aspect of it which may make longtime fans of Slade feel it was included less for the good of the story than to make the viewers of a successful television show more comfortable. I read through the book several times, and each time felt that it would have been just as strong without this particular plot line. I have not read the subsequent issues following this trade, so I do not know if this twist was just temporary or if it is permanent. Regardless, on the whole, it is an exciting adventure worth a read.

Pulling double duty, Tony S. Daniels also delivers the artwork for the series, with inks by Sandu Florea (SUPERMAN, BATMAN). They are gorgeous, acrobatic pages. There are one and two page splashes where Deathstroke battles various enemies which simply sing with a fluidity of motion which many artist would sign over their good right hand to achieve. Daniels pencils, fleshed out with spectacular inks by Florea, sing with action.

With exception of the hiccup in the set-up, the story is an exciting one which every fan of Deathstroke should read.

Deathstroke Vol. 1: Gods of Wars is a solid book with wonderful art. Thumbs up!

Deathstroke Vol. 1: Gods of Wars, collects issues 1-6 of the regular series from write/artist Tony S. Daniels (SUPERMAN/WONDER WOMAN, BATMAN) and artist Sandu Florea (SUPERMAN, BATMAN)